First pressings issued with a purple 'villalobos alcachofa' sticker on sleeve; inside the gatefold sleeve the first text passage below the track list (with w&p, contacts) includes the following code: 'efa 56408-1'. Alcachofa (Spanish: Artichoke) is the first studio album released by Chilean-German producer Ricardo Villalobos on the German house label Playhouse on September 19, 2003. The album cemented Villalobos' place in the vanguards of microhouse and minimal techno.
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Review: Using the Turkish psychedelic project Insanlar as a jump off point, Honest Jon's have enlisted Ricardo Villalobos to turn out one of his grandiose remix projects that gels so naturally with more exotic sound sources. The original of 'Kime Ne' is already an enchanting, Moog-infused groover rich with traditional vocals, and then Mr Villalobos locks the ingredients in for a typically cosmic ride into stripped and hypnotic house territory, letting the lutes intertwine with dusty reams of percussion using that alchemists touch that could only come the man himself. The remix spreads itself over two sides of wax, leaving one side of the double pack free for a fetching etching as well. Review: In what is surely an unexpected collaboration in the field of house and techno, Mosaic mastermind Steve O'Sullivan teams up with Ricardo Villalobos for a hypnotic trip through minimal landscapes that plays to both of their strengths. The rock-solid rhythm of 'Sullric' surely belongs to O'Sullivan while the rich, subtle layers of samples, tones and other such sonic decorations come straight from the Villalobos school of production.
The two mixes on this 12' only have minor differences - whichever side you drop things will get considerably deeper than they were previously. Of such ingredients are classy, immersive techno joints made. Review: Fresh from remixing Afrobeat legend Tony Allen for Dekmantel, Ricardo Villalobos presents his first solo outing of 2019 - an epic double-pack containing four lengthy workouts in his signature off-kilter, minimalist techno style. First up is title track 'Mandela Move', where chanted South African vocals weave their way in and out of hypnotic, funk-fuelled, glitch-driven drums that rank amongst Villalobos' boldest beats for some time.
![Ricardo villalobos microsoft Ricardo villalobos microsoft](/uploads/1/2/5/3/125396580/652952508.jpg)
![Rar Rar](http://cdn.pitchfork.com/media/8506-alcachofa.jpg)
'Fontec' is deeper and subtly more melodious, with plenty of weirdo noises and some seriously chunky bass, while 'Ectroscop' sees our Chilean hero brilliantly blend the swinging funk of breakbeat with his mind-altering percussion and production. Finally, 'Beetglass' is as crunchy, bass-heavy and percussive as anything Villalobos has done to date. Review: Three-quarters of the way through 2018, Ricardo Villalobos finally serves up his first solo release of the year. The Chilean has said very little about the two-tracker, merely serving up sound clips with no fanfare or fuss.
Fans will enjoy 'Wispa', with the producer's signature buried spoken word samples and intoxicating audio textures playing second fiddle to a driving kick-drum pattern and druggy, TB-303 style acid line. '909 Track' is, if anything, even bolder.
While it's as hypnotic and trippy, the beats bounce, the acid lines pop and the main riff - a relentless, warehouse-friendly affair - drives the cut forward with restless energy. An impressive departure from his tried-and-tested blueprint.